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'The Fast and the Furious': 10 Things You (Probably) Didn't Know About the Vin Diesel Hit

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When it came out 15 years ago, on June 22, 2001, "The Fast and the Furious" seemed like just a 1950s exploitation movie with a bigger budget. Little did anyone imagine that the drag-race drama would turn into an enormous franchise that has earned $3.9 billion to date and spawned six sequels, with at least three more on the way.

As popular as the first "Fast" was -- it earned $145 million in North America and a total of $207 million worldwide -- there's plenty you may not know about how the film came to be. Here are a few tidbits of behind-the-scenes trivia, doled out a quarter-mile at a time.
1. In 1998, reporter Ken Li began writing a series of articles about 30-year-old Dominican street racer Rafael Estevez, first in the New York Daily News, then in Vibe magazine. Director Rob Cohen claimed he was inspired to make the film by reading one of those articles, entitled "Racer X" (for which Universal bought the film rights and adapted into the "Fast" screenplay), as well as by attending an actual illegal street race.

2. The title was licensed from B-movie legend Roger Corman. His 1955 film, "The Fast and the Furious," was about a wrongly-convicted man who escapes from prison and takes up with a gang of illegal street racers. Of course, Corman produced his movie for just $66,000, while Cohen's cost $38 million.
3. While making "The Skulls" for Cohen and producer Neal H. Moritz, Paul Walker mentioned that he'd love to play an undercover cop one day. He didn't know at the time that Cohen and Moritz were developing just such a project.

4. In his college days, Vin Diesel recalled, he had a Suzuki GSX-R sport bike that he would tear along on the highways of Queens, N.Y. But by the time he first played Dominic Toretto in "Fast" at age 33, he admitted, "I'm an SUV kind of guy."
5. Michelle Rodriguez's role of Letty (above) wasn't part of the original script, but the filmmakers created it for her after seeing her breakthrough performance in the indie boxing drama "Girlfight."

6. Neither Jersey girl Rodriguez nor Manhattan-raised Jordana Brewster (Mia) had much driving experience before they made the film; in fact, Brewster (then 20) didn't have a driver's license or even know how to drive. Both actresses had to learn some stunt-driving moves, including slides and sideways turns, for the movie. By the end of the shoot, newly-minted car enthusiast Rodriguez was complaining of the filmmakers, "They wouldn't let us drive faster than 80 miles per hour!"
7. Seen in the movie are some 150 actual street racers, along with their custom cars. They were easy to recruit, recalled transportation coordinator David Marder. "Every one of these kids have monitors hooked up in their cars, where they play video games and use the Internet," he said. "We just put out the word, and they appeared!"

8. The unique circular Beverly Hills house that the police use as their sting headquarters is said in the film to be the home Eddie Fisher built for Elizabeth Taylor. Sadly, that's not true; it wasn't built until 1963, when Taylor had left Fisher for Richard Burton. Less juicy trivia: it's the same house where Walter Matthau's screenwriter character lived in the 2000 Nora Ephron movie "Hanging Up."
9. Moritz and Cohen both have cameos in the film. That's Moritz as the driver of the black Ferrari who races Brian (Walker). And that's Cohen (above) as the pizza delivery man blocked by the first race.

10. Today, Rafael Estevez, the inspiration for the whole franchise, runs a garage in Queens. Journalist Li says Estevez eventually got compensation from Universal for his role as the franchise's catalyst.


'The Omen': 10 Things You (Probably) Didn't Know About the Horror Classic

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Four decades later, we're still haunted by the chilling thousand-yard stare of little Harvey Stephens as Damien in "The Omen."

Released 40 years ago this week (on June 25, 1976), the occult horror film would mark the only significant acting role Stephens ever played, but it had a vast and lasting impact -- it revived Gregory Peck's career, spawned several sequels and remakes (including the cancelled A&E series "Damien"), launched a wave of Antichrist-themed movies, and generated one of the most familiar (and overused) pieces of music in horror-movie history. In honor of the film turning four decades old, here are a few facts you need to know.1. A lot of "Omen" viewers have thought that rhyming-prophecy quotation actually comes from the Bible. It does not; screenwriter David Seltzer made it up. In fact, he claimed he'd never even read the Bible before being commissioned to write the screenplay.

2. For the role of Ambassador Robert Thorn, the filmmakers initially sought biblical-film go-to guy Charlton Heston, but he worried that the result would be cheesy and passed. William Holden also turned down the part, claiming he found the satanic subject matter distasteful. Gregory Peck, whose career had been in such a slump that the 59-year-old was considering retirement, took the role for a fraction of his usual fee -- just $250,000 against 10 percent of the film's gross. When the movie became a smash, it gave Peck the most lucrative payday of his career. Holden, of course, accepted the lead in the 1978 sequel, "Damien: Omen II," while Heston would star in "The Awakening," a 1980 movie with a similar premise.3. Four-year-old Harvey Stephens (above) won the role of Damien during a group audition, when director Richard Donner asked the potential little Antichrists to attack him the way Damien attacks Katherine (Lee Remick) in the church. Stephens went further than the other boys, clawing Donner's face and kicking him in the junk. That won Stephens the part, but Donner still didn't think he was scary enough, so he had the blonde boy's hair dyed black.

4. In the life-imitates-art department, the movie's shoot was beset by so many horrific accidents that the production seemed cursed.

On the first day of the shoot, several crew members were in a car that was involved in a head-on collision. Peck and Seltzer both flew to England on airplanes that were struck by lightning during their flights, just eight hours apart. Producer Mace Neufeld flew to England a week later, and lightning struck his plane, too. In another instance, the production canceled a charter flight on a plane, which then took on new passengers and crashed, killing all on board. Eeriest of all was the accident that happened two months after "The Omen" opened, on Friday the 13th of August, 1976. John Richardson, the special effects designer behind such gruesome "Omen" deaths as the decapitation of Keith Jennings (David Warner) by a stray pane of glass, was in Holland working on the film "A Bridge Too Far" when his BMW crashed. His assistant Liz Moore, who was in the passenger seat, was cut in half. Supposedly, Richardson crawled out of the car and saw a road sign that said he was 66.6 kilometers away from the town of Ommen.5. The baboon attack on the car in the zoo sequence was accomplished by placing a baboon in the car with Lee Remick. At first, zookeepers used a baby baboon, but the other baboons didn't seem to care. Then they put the alpha baboon in the car, and the rest of them went ape. The terror on Remick's face wasn't acting.

6. No goldfish were harmed in the scene where the goldfish bowl shatters. Donner didn't want to kill any fish just for the sake of shooting a movie, so he had dead sardines painted orange.7. To take advantage of the movie's "666" motif, 20th Century Fox held sneak previews on June 6, 1976. When patrons came out of the auditorium, they were shown posters pointing out the 6/6/76 date, and many reportedly freaked out.

8. Composer Jerry Goldsmith wrote some 300 movie and TV scores in his 50-year career, but the only one that earned him an Academy Award was "The Omen." He was also nominated for Best Original Song for "Ave Satani," the bombastic choral piece that's become a staple of occult movie trailers ever since. It's one of the few Best Song nominees in Oscar history whose lyrics aren't in English. Rather, they're in bad Latin. 9. Warner was asked once what became of the prop severed head (pictured) of his ill-fated "Omen" character. He quipped, "I lost it in the divorce."

10. "The Omen" cost $2.8 million to make and another $2.8 million to market. It made back $61 million in North America and became the fifth biggest hit of 1976. Donner has said the film made so much money for Fox, that it enabled the studio to give George Lucas the money he needed to finish "Star Wars" the way he wanted.

'Labyrinth': 10 Things You (Probably) Didn't Know About This '80s Classic

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Losing David Bowie in 2016 offered a wistful reminder that, for a lot of younger moviegoers, he was remembered less as a trailblazing musician than as Jareth the Goblin King in "Labyrinth."

Released 30 years ago this week (on June 27, 1986), the fantasy film wasn't a hit at the time, but the Jim Henson-George Lucas collaboration became a cult favorite on home video. It also marked the first high-profile lead role for Jennifer Connelly, the last movie directed by Henson, and one of the few works from Henson's Creature Shop whose puppets were not cuddly, family-friendly Muppets. Celebrate the film's 30th with these facts straight from the goblin maze.
1. Monty Python's Terry Jones is credited with writing the screenplay, but it went through dozens of revisions at the hands of various script doctors, including Henson, Lucas, and comedy legend Elaine May, then on the eve of directing "Ishtar."
2. Among the teen actresses who auditioned for the lead role of Sarah were Helena Bonham Carter (before the filmmakers decided to make the character American), Laura Dern, Jane Krakowski, Sarah Jessica Parker, Mia Sara, Ally Sheedy, Marisa Tomei, and Maddie Corman. Eventually, the role went to Corman's "Seven Minutes in Heaven" co-star Connelly, who Henson said won him over the moment she walked in the door, as he felt she embodied Sarah's transition between girlhood and womanhood.
3. Jareth was supposed to be just another puppet until Henson decided the role would work better with a charismatic rock star in the part. Among the names tossed around were Michael Jackson, Mick Jagger, Prince, and Sting, before the filmmakers set their sights on Bowie. Henson hooked the "Let's Dance" singer by giving him a tape of "The Dark Crystal," showing him "Dark Crystal" artist Brian Froud's "Labyrinth" character designs, and offering him a free hand to compose the music as he saw fit.
4. "Labyrinth" wears its influences, which come from all over, on its sleeve. Maurice Sendak's children's books are acknowledged, both in the end credits and in the book collection in Sarah's bedroom. Jareth's outfit is modeled in part on the leather jacket worn by Marlon Brando's biker gang leader in "The Wild One."

And the dialogue between Jareth and his minions in the "Magic Dance" sequence owes a clear debt to a similar stretch of dialogue in the classic Cary Grant-Shirley Temple movie "The Bachelor and the Bobby-Soxer."
5. Hoggle, Sarah's gnome-like guide (above), was the most difficult character to animate. It took the carefully coordinated efforts of five of Henson's crew to make him work -- one performer inside the costume and four more controlling his facial movements (jaw, lips, eyelids, and eyebrows) via radio remote controls. Jim Henson's son, Brian, worked Hoggle's jaw and also voiced the character.
6. The film's choreography -- in this case, acting and movement coaching for the puppeteers -- is credited to Cheryl McFadden. A year later, she became famous as Gates McFadden, when she began playing Dr. Beverly Crusher on "Star Trek: The Next Generation."
7. The entire forest set was built indoors, on a British soundstage. It involved 40,000 sprays of fake leaves, 850 pounds of real dried leaves, 120 truckloads of tree branches, 1,200 patches of sod, 133 bags of lichen, and 35 mossy bundles of "old man's beard."
8. Shortly after Bowie's death in January 2016, news came out that the Jim Henson company was preparing a reboot of "Labyrinth," to be scripted by "Guardians of the Galaxy" co-screenwriter Nicole Perlman.

She insisted that the project had been in the works since 2014, that the filmmakers were not seeking to capitalize on Bowie's recent passing, that the film was more a "continuation" than a reboot, and that "Labyrinth" had been her favorite film as a child, one whose legacy she promised to treat with "love and respect."9. Sarah's kidnapped baby brother, Toby, was played by Toby Froud, infant son of the movie's character designer, Brian Froud. Fittingly, Toby Froud grew up to be a creature designer and puppeteer for such imaginative fantasy films as "The Chronicles of Narnia: The Lion, The Witch and the Wardrobe," "ParaNorman," and "The Boxtrolls."
10. "Labyrinth" cost a reported $25 million to make but returned only $12.9 million at the North American box office. Brian Henson has said the movie's box office failure depressed his father, but he did live long enough to see the film become a cult success on home video before his death in 1990.

'The Devil Wears Prada': 9 Things You (Probably) Didn't Know About the Stylish Hit

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It's been 10 years since "The Devil Wears Prada" hit theaters (June 30th, 2006) and we've never looked at the color cerulean the same way since. But the box office success had more of an impact on audiences than teaching them about the subtle nuances of colors and fabrics. The film's enviable glamorous wardrobe, one of Meryl Streep's most delightfully devilish performances, and the ridiculously quotable script all guarantee that this is one movie that really will never go out of style.

You probably already know the film was based on the best-selling 2003 Lauren Weisberger novel of the same name, but we're here to fill you in on a few more little-known facts about the fashion film gem you may not be aware of.

1. The role of recent Northwestern graduate and aspiring journalist Andy Sachs ultimately went to Anne Hathaway, but she wasn't the first choice for the lead. Rachel McAdams was Fox's number one pick, but she turned it down after a few offers.

2. To prepare for her role as an assistant in a cutthroat environment, Anne Hathaway interned at Christie's auction house for a few weeks, but her work experience sounds a lot more pleasant then the film. "It was amazing. I got to see some wonderful art and everybody was really nice. It was great," she told ET in 2015.

3. The clothing budget for the film was only $100,000, so stylist Patricia Field resorted to borrowing a huge portion of the wardrobe. The clothing actually ended up being worth over $1 million.

4. Meryl Streep almost turned down the Oscar-nominated role of Miranda Priestly. "The offer was to my mind slightly, if not insulting, not perhaps reflective of my actual value to the project," Streep revealed to Variety. "There was my 'goodbye moment,' and then they doubled the offer. I was 55, and I had just learned, at a very late date, how to deal on my own behalf."

5. The character of Miranda's first assistant Emily, played to wicked perfection by Emily Blunt, was not originally supposed to be British.

6. Meryl Streep's inspiration for Miranda didn't come from Anna Wintour or the fashion industry. She told Variety that she modeled the character's voice after none other than Clint Eastwood, noting that he "never, ever raises his voice."

7. One of the film's most memorable scenes -- the iconic "cerulean" monologue where Miranda gives Andy a biting lesson on why her blue sweater means more than meets the eye -- almost didn't make it in the movie. Screenwriter Aline Brosh McKenna said that the lines putting down Andy's style sense "didn't serve the narrative." But Meryl Streep changed all that. "Meryl wanted to make it bigger," McKenna explained. The concept became less about dissing Andy, and more about showing the importance and impact of fashion and how much of an influence Priestly had on the industry.

8. Lauren Weisberger, the author of the book the film is based on, actually makes a blink-and-you'll-miss-it cameo. She portrayed the nanny to Miranda's twins -- you can catch her in the scene on the train where the girls are reading the Harry Potter manuscripts.

9. The film sparked a huge love connection! Emily Blunt set her sister Felicity up with Stanley Tucci, who played Runway art director Nigel. Felicity and Stanley ended up tying the knot in 2012.

'Terminator 2': 11 Things You (Probably) Didn't Know About James Cameron's Blockbuster

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It's hard to believe it's been 25 years since "Terminator 2: Judgment Day" first exploded onto the big screen. Like a good sequel is supposed to, it took everything that was great about the original and dialed it up to (at least) 11, while further cementing Arnold Schwarzenegger's reputation as one of the great Hollywood badasses.

In honor of the anniversary of one of James Cameron's best films -- and "T2's" imminent 3D re-release -- here are ten things you need to know about one of the best sequels in the history of ever.
1. Robert Patrick (above) wasn't actually the first choice to portray the T-1000. Cameron originally had his eyes on musician Billy Idol, but Idol had to drop out after having a motorcycle accident. 2. Cameron also reportedly mulled over the idea of casting "The Terminator" actor Michael Biehn (pictured) as the liquid-metal villain, with the explanation that Skynet had cloned the late Kyle Reese and turned him into a Terminator. Biehn did appear in "T2," in a deleted scene, where his character came to Sarah Connor in a dream.
3. Because "Hasta la vista, baby" doesn't have quite the same impact when the entire film is dubbed in Spanish, the Spanish version of "Terminator 2" changed that line to say "Sayonara, baby."
4. Cameron revealed that the biker bar sequence was filmed across the street from where the infamous LAPD beating of Rodney King took place. Apparently the filming was taking place while the beating was happening.
5. During the filming of that biker bar scene, a random passerby wandered onto set confused as to why Schwarzenegger was walking around wearing nothing but Bermuda shorts. The actor nonchalantly informed her that it was male stripper night at the bar.
6. Edward Furlong was only 13 when he was cast in the role of John Connor. Not only did he visibly age over the course of the near six-month shoot, but Furlong's voice also dropped, forcing him to rerecord a great deal of dialogue during post-production.
7. As effects-driven as this movie was, Cameron relied on twin actors to save time and money whenever scenes called for body doubles. In the scene where the T-1000 is disguised as Sarah Connor, Linda Hamilton played the T-1000 while her sister, Leslie Hamilton Gearren, played Sarah. The two also appeared during Sarah's nightmare sequence, with Leslie playing the younger version of Sarah.8. When our heroes are refueling their car after fleeing into the desert, a gas pump can be seen sporting the logo for Benthic Petroleum, the fictional company that owned the oil rig in "The Abyss." Does this mean the two movies take place in the same universe?
9. If the mini-gun Schwarzenegger's T-800 wields during the Cyberdyne shootout looks familiar, that's because the exact same prop gun was also used by Jesse Ventura's character in 1987's "Predator." Neither character had time to bleed.
10. While the original "Terminator" was a decent box office success in 1984, this sequel managed to top that gross in its first two days of release. The film went on to become the highest-grossing movie of 1991. (At the time, it was also the most expensive movie ever made.)
11. The "Terminator 2" Blu-ray includes an alternate ending that showcases the happy, Terminator-free future that the Connors created by defeating Skynet. But as the sequels have shown us, that future never came to pass.

'Legally Blonde': 10 Things You (Probably) Didn't Know About the Reese Witherspoon Hit

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It's been 15 years since Reese Witherspoon taught us all how to do the bend-and-snap.

"Legally Blonde" was released this week, on July 13, 2001, and it turned Witherspoon into a bankable leading lady after a decade in movies. It also spawned two sequels and a Broadway musical, as well as launching a jillion GIFs and memes. But as many times as you've watched Elle Woods triumph over sexism and stereotyping, there's a lot of behind-the-scenes dish on the film that you may not know. Here's how it all came together -- the hot pink wardrobe, the hair, and Harvard Law School.
1. "Legally Blonde" started as a series of letters home from Stanford Law School, written by first-year student Amanda Brown, that made fun of the classmates who were ostracizing her. (She found herself on the outs after laughing at the campus feminists' attempt to change "semester" to "ovester," a joke that made it all the way into the movie.) The letters became the manuscript for a novel, which the publisher plucked from the slush pile because it was the only one written on pink paper. MGM soon bought the film rights and hired "10 Things I Hate About You" screenwriters Kirsten Smith and Karen McCullah to adapt it.

2. 25-year-old Australian filmmaker Robert Luketic was hired to direct, though he'd never made a feature film before. He landed the job on the basis of his short film "Titsiana Booberini," a 12-minute CinemaScope musical comedy about a supermarket checkout girl whose co-workers bully her because of her hairy upper lip. The short screened at Colorado's Telluride Film Festival, and Luketic claims that it played so well that he had an agent, a manager, and a studio deal within 40 minutes of the screening.
3. The studio had other stars in mind for Elle, including Christina Applegate, Katherine Heigl, Gwyneth Paltrow, Alicia Silverstone, and Charlize Theron, as well as non-blondes Jennifer Love Hewitt and Milla Jovovich. Even Tori Spelling (whose mansion was across the street from Elle's childhood home, according to the script) was on the list. But Luketic insisted on Reese Witherspoon after watching her in "Election." "I wanted someone with gravitas and brains," he explained.
4. For Vivian, Elle's romantic rival, the filmmakers wanted Chloe Sevigny, but she turned the part down in favor of an artier project (in various interviews, she's cited either the Off-Broadway production of Joe Orton's "What the Butler Saw" or the Paris shoot of Olivier Assayas's "Demonlover"), so the role went to Witherspoon's "Cruel Intentions" co-star, Selma Blair (above).

5. Matthew Davis, who played Elle's faithless boyfriend Warner, was nervous about working with Witherspoon because he harbored a secret crush on her. One day on set, he spilled the beans.
Witherspoon, who had recently married Ryan Phillippe and given birth to their daughter Ava, let him down gently. She told him she thought his crush was sweet, then said it was time for them to get back to work.
6. It took a lot of effort to style Witherspoon for the film. Over the course of "Legally Blonde," she wears no fewer than 40 different hairdos. (Luketic referred to her ever-changing coiffure as "the hair that ate Hollywood.") Not to mention all of those pink outfits, which, thanks to a clause in her contract, Witherspoon got to keep after the shoot wrapped.

7. Despite Brown's novel, Stanford University declined to grant permission to use its name. So did the filmmakers' next choice, the University of Chicago, because the college didn't want to be associated with the scene where a professor sexually harasses a student. Harvard University allowed the use of its name but not its campus, which is why all the law school scenes were actually shot in Los Angeles, on the campuses of UCLA, USC, and Pasadena's Rose City High School.
8. The movie initially ended after Elle's courtroom victory, but test audiences wanted more, so the filmmakers planned an epilogue showing Elle's graduation from law school. Witherspoon was already in London making "The Importance of Being Earnest," so she and Luke Wilson went to Dulwich College there to appear in the added scenes. Both wore wigs, as she'd cut her hair for "Earnest," and he'd shaved his head for "The Royal Tenenbaums." The rest of the cast stayed behind in Los Angeles and shot their new scenes there. Also added was that opening-credits shot of Elle brushing her hair at the sorority house, a shot that had to use a back-of-the-head double for the star 6,000 miles away.

9. "Legally Blonde" cost $18 million to make. It grossed $97 million in North America and a total of $142 million worldwide.
10. After the sequel, 2003's "Legally Blonde 2: Red, White and Blonde," there came the Broadway musical and a third, straight-to-video movie, "Legally Blondes," in which Witherspoon was involved only as a producer. But she said last fall that she'd be open to playing Elle a third time. Screenwriters, get cracking...

'Boyz N the Hood': 10 Things You (Probably) Didn't Know About the John Singleton Classic

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Boyz N The Hood, made by John Singleton in 1991, was the story of three friends -- played by(from left) Morris Chestnut, Cuba Gooding, Jr. and Ice Cube – growing up in South Central Los Angeles.Upon its release 25 years ago, on July 12, 1991, "Boyz N the Hood" was recognized as an instant landmark film.

The coming-of-age drama about three young African-American men in South Central Los Angeles launched a decade's worth of similar films. Plus, "Boyz" made a film star of veteran character actor Laurence Fishburne, gave early career boosts to Cuba Gooding Jr., Angela Bassett, and Nia Long, and launched the movie careers of Ice Cube, Morris Chestnut, Regina King, and writer/director John Singleton. Here are 10 things you may not know about how Singleton and much of his cast rose from the troubled streets portrayed in "Boyz" to tell their own story on film.1. Singleton (above) was a film student at USC when he landed his first showbiz job as a production assistant on "Pee-wee's Playhouse." There, he met Fishburne, who played Cowboy Curtis on the show. Singleton promised the actor he'd write him a role where he didn't have to wear a Jheri Curl. It would be another three years before he made good on the promise.

2. It was on another backstage job, this time on Arsenio Hall's talk show, where Singleton first met Cube. He promised the N.W.A. rapper he'd write a movie role for him, too. They'd meet again several times over the next three years before Singleton finally got to cast Cube as Doughboy.
3. Working as a script reader at Columbia Pictures, Singleton got his own script passed all the way to studio chief Frank Price. He was offered $100,000 for it on the condition that he let someone with more experience direct it, but he refused to sell "Boyz" unless he could direct his own screenplay.

4. Cast as Furious Styles, the movie's lone father figure, when he was just 29, Fishburne was already a seasoned movie vet, having been cast as a sailor in Francis Ford Coppola's Vietnam epic "Apocalypse Now" when he was just 14. Singleton took "Coppola lessons" from Fishburne, learning second-hand everything the actor knew about the legendary director's technique.
5. Coppola's influence on "Boyz" is clear, from the "Godfather"-style cross-cut editing to the "Apocalypse"-like sound design behind the omnipresent police helicopters patrolling the neighborhood. Singleton never actually shows the choppers, he merely suggests them through rotor noise and sweeping spotlights. In fact, he pitched this helicopter hack to studio chief Price as a way of keeping the budget modest.

6. The sense of danger from the South Central filming locations was real. "The set was about 10 blocks from my house. I could have walked, except that probably wouldn't have been the safest thing to do," recalled the movie's female lead, Nia Long.

Dialogue had to be re-recorded in the studio because of ambient noise -- real-life helicopters and gunshots. A Bloods spokesman, who called himself Bone, warned producers that if they filmed the climactic scene of Doughboy killing two Bloods on Blood turf, he couldn't guarantee that some angry Blood wouldn't retaliate and shoot Cube for real. Singleton shot the scene elsewhere.
7. Long was nervous about shooting her sex scene with Gooding, never having shot one before. He tried to calm her by picking his toenails and acting silly, but the tactic backfired. "Do you honestly think that is helping?" Long told her co-star. "It's making me want to throw up."

8. "Boyz" cost just $6.5 million to produce. It earned back $57.5 million in North America.
9. Violence broke out at screenings of "Boyz" around the country, with one fatality and 33 moviegoers injured. Some observers blamed the movie's gang content for the gunplay, even though "Boyz" was explicitly anti-violence. Singleton blamed the strife on the same social pathologies that the movie condemned -- street codes of vengeance and the scarcity of strong paternal role models in the community.

10. "Boyz" was nominated for two Oscars, for Singleton's original screenplay and his directing. At 24, he was the youngest person ever nominated for Best Director and the first African-American.

'Aliens': 11 Things You (Probably) Didn't Know About James Cameron's Classic

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As terrifying as 1979's "Alien" was, the scale and breathless intensity of "Aliens" -- released 30 years ago this week, on July 18, 1986 -- made the original seem like a chamber drama. Or, as franchise mainstay Sigourney Weaver put it, "It made the first 'Alien' look like a cucumber sandwich."

James Cameron's overstuffed hoagie of an interstellar horror thriller proved that 1984's "The Terminator" wasn't a fluke and made him into an A-list action/sci-fi director. It also made Weaver into the premier action heroine of our time, and it transformed "Alien" from a cult hit into a franchise whose sequels, prequels, and spinoffs continue to this day. Still, there's a lot you may not know about the drama behind the scenes. Here's the dish behind Ripley's finest hour. 1. James Cameron (above) received two job offers on the same day: to write the screenplay for "Rambo: First Blood Part II" and to write and direct "Aliens." Maybe that's why there's some similarity between the movies. Cameron has said he wanted to make "Aliens" feel like a Vietnam War film, with the Marines comprising a battle-weary platoon under attack from a technologically inferior (but relentlessly determined) native force. (For good measure, he had the cast read Robert Heinlein's "Starship Troopers.") Weaver jokingly referred to the Ripley of "Aliens" as "Rambolina."
2. Weaver almost didn't make it into the movie. Cameron wrote the script around Ripley without knowing that 20th Century Fox didn't have a deal in place with the actress. The studio ordered him to write her out of the picture, but he threatened to walk instead.

Eventually, the studio acknowledged Weaver was essential to the film and agreed to pay her $1 million, her biggest paycheck yet at that point in her career. It was about 30 times what she was paid in 1979 for the initial "Alien," when she was an unknown.
3. The filmmakers didn't want the girl playing Newt to seem too polished and professional, so their casting search led them to untried nine-year-old Carrie Henn (above). Henn has since said she thoroughly enjoyed making the movie, but despite receiving rave reviews, she never acted professionally again and instead became a schoolteacher.
4. Lance Henriksen had to film the knife trick twice. The fear on Bill Paxton's face was real, since he didn't know before the day of shooting that Cameron was going to have Henriksen do the trick on Paxton's hand. Nonetheless, the director didn't think the sped-up footage looked plausible, so he planned a reshoot for the next day. Supposedly, Henriksen came to work hungover, and this time, he accidentally cut Paxton's pinky and drew blood.5. Shooting at England's Pinewood Studios, Cameron and producer Gale Anne Hurd (left) had a hard time winning the loyalty of the British crew. They hadn't yet seen "The Terminator," so they regarded the director as a relative amateur. And they didn't take Hurd seriously because she was Cameron's wife, and they assumed she was hired only out of nepotism. Also, they routinely took tea breaks in mid-afternoon, leading Cameron to grumble about their work ethic. Eventually, Cameron quashed the mini-rebellion by firing and replacing the cinematographer.
6. Jenette Goldstein, who played Vasquez (above), didn't really know how to handle a firearm, so when you see close-ups of her shooting her weapon, you're actually looking at Hurd's hands.
7. Weaver, too, was no firearm expert; in fact, she didn't think Ripley should wield a gun at all. But Cameron took her to a firing range, and she soon decided that shooting was fun. "Another liberal bites the dust," Cameron joked on the DVD commentary.
8. The alien queen was an elaborate puppet created in the workshop of legendary monster designer Stan Winston. It was 14 feet tall and required 16 operators, manipulating it with a combination of control rods, hydraulics, radio controls, and a crane.
9. "Aliens" cost just $18.5 million to make, which seems like an absurdly low figure by the standards of today's summer blockbuster sequel filmmaking. (Nowadays, it would cost 10 times that.) It returned $85 million in North America (and a total of $131 million worldwide) to become the seventh highest-grossing film of 1986.
10. The movie was nominated for seven Oscars, including Best Actress for Weaver (a rare honor from an Academy that usually ignores performances in sci-fi and fantasy features), Best Score (even though composer James Horner had to rush to complete the music before having seen the whole movie), Best Sound, Best Editing, and Best Art Direction. It won for Sound Effects Editing and Visual Effects.
11. In 2011, Weaver told Moviefone that, while she'd love to make another Ripley movie, she despaired that it would ever happen. Now, however, the 66-year-old actress is attached to a sequel from "District 9" director Neill Blomkamp. The new film (above), if it ever gets off the ground, will ignore the events of 1990s sequels "Alien 3" and "Alien Resurrection" and pick up where "Aliens" left off. To quote Vasquez, "Let's rock!"


11 Things You Never Knew About 'Wet Hot American Summer'

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Hard to imagine, but when it was released 15 years ago (on July 27, 2001), "Wet Hot American Summer" was an enormous flop.

Today, however, the spoof of 1980s summer camp movies is considered a cult classic, one that's spawned a Netflix prequel series (with a sequel series on the way). It also helped launch the film careers of Bradley Cooper, Elizabeth Banks, Amy Poehler, and director/co-writer David Wain.

Still, as obsessively as you may have watched and re-watched the antics at Camp Firewood over the years, there's a lot you may not know about how the film got made. Here are the wet hot details.
1. Wain and co-screenwriter/star Michael Showalter (who played the lovelorn counselor Coop) based a lot of the plot on their own summer camp experiences in the early 1980s. Showalter remembered trips into town as a big deal (as portrayed in the film's notorious visit-to-town montage). As a counselor, Wain abandoned his charges in the woods, drove a van back to camp to meet a girl, and crashed it into a tree, just like Victor (Ken Marino) does. He also remembered being worried that pieces of Skylab would fall on the camp.

2. Of course, the other big source of inspiration for Wain and Showalter was summer camp movies like "Meatballs" and the non-lethal parts of "Sleepaway Camp" and "Friday the 13th." But they also modeled their screenplay after such films as "Nashville," "Dazed and Confused," and "Do the Right Thing" -- big ensemble pieces with multiple plot lines, set over the course of a single day or weekend.
3. Many of the cast members -- David Hyde Pierce, Janeane Garofalo, Paul Rudd, Molly Shannon -- were reasonably well-known. Others, like Elizabeth Banks and Bradley Cooper, were discovered in New York auditions. In fact, Cooper was still finishing up at the Actors Studio drama school and missed his graduation in order to film his "Wet Hot" sex scene with Michael Ian Black.

4. The line between life and art blurred during the May 2000 shoot at Pennsylvania's Camp Towanda. The cast and crew slept in cabins, bunks, and sleeping bags and ate at the cafeteria. The only difference was free-flowing beer and liquor.
5. Garofalo was surprised to see, inscribed on a plaque on a bunk, the name of her "Mystery Men" co-star, Hank Azaria. Turned out he'd attended Camp Towanda for several summers as a kid.

6. The shoot lived up to the "Wet" part of the title, if not the "Hot." It rained on 23 of the 28 shooting days, and the temperature was often in the 40s. Which was difficult for actors in shorts or bikinis. Fortunately, unless you're lighting for rain, it often doesn't show up on film. The lack of continuity in the weather, over the course of what's supposed to be a single day, became just one more of the movie's meta-jokes.
7. The film's most elaborate prop, the falling Skylab capsule, took five days to build. It was made largely of wood and PVC pipe, and it weighed just under 500 pounds.

8. "Wet Hot" cost just $1.8 million to shoot, though the filmmakers claimed $5 million in hopes of getting a better offer when they screened it at Sundance. Despite four sold-out showings at the festival, no one bit.
9. Months later, USA Films approached Wain with what he considered an insulting offer of $100,000 for the distribution rights, but he still said yes. USA barely released the movie (it never played in more than 12 theaters nationwide), which grossed just $295,000. Rudd has said he never saw a dime from the film.

10. Of course, the movie became a cult hit on DVD, at colleges, and at midnight screenings, where fans would dress up, "Rocky Horror"-style, as their favorite characters, including the talking can of mixed vegetables. In fact, "Wet Hot" became popular enough for Wain and Showalter to write a pilot script for a "Wet Hot" Fox sitcom, one that, by necessity, dropped everything that earned the movie an "R" rating. Thankfully, the pilot never made it to series, which enabled Wain and Showalter to reunite the original cast for last year's Netflix prequel series "Wet Hot American Summer: First Day of Camp."
11. We're getting another follow-up series from Netflix in 2017 called "Wet Hot American Summer: Ten Years Later." We'll be seeing the Firewood counselors as late-twentysomethings in 1991. Which is apt, since all the actors are well into middle age now.

'Alice in Wonderland': 13 Things You (Probably) Didn't Know About the Disney Classic

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In some ways, Disney's animated "Alice in Wonderland" (released 65 years ago this week, on July 26, 1951) was as far behind schedule as its White Rabbit. The film flopped on its initial release and didn't catch on with audiences and critics until decades later. Then again, the movie also boasts many firsts: first Disney cartoon feature to air on TV, first to be released on home video, and first in the current wave of Disney's live-action reboots of its animated hits that began with Tim Burton's 2010 smash.

As many times as you've watched Alice fall down the rabbit hole, drink tea with the Mad Hatter, and evade the psychotic Queen of Hearts, there's a lot you may not know about the film's behind-the-scenes drama. Here's what happened on the other side of the looking glass.
1. Walt Disney (above) had dreamed of making an "Alice" feature for nearly 30 years. Back in 1923, when he was still making silent shorts for the Laugh-O-Gram studio in Kansas City, he made one called "Alice's Wonderland" that mixed a live-action Alice with animated creatures. This short became his calling card when he went to Hollywood.

2. In the 1930s, when he had become a successful animator, Disney envisioned a live-action "Alice" feature that would star Mary Pickford. He bought the film rights to Sir John Tenniel's iconic illustrations from the original "Alice" books. As Disney began to make feature-length cartoons instead, he back-burners the project, but he later revived it as a live-action/animation mix that would star Ginger Rogers.
3. Disney hired visionary "Brave New World" novelist Aldous Huxley to write an "Alice" screenplay, but he found Huxley's draft too literal. He soon decided the only way to adapt Lewis Carroll's books was to make the feature entirely animated and not be too faithful to the nearly plotless tales. Inspired by concept art of Wonderland settings that he'd solicited from Mary Blair, Disney decided to take the project in a more whimsical, comic direction.

4. Disney commissioned 30 songs for the film, based on the verses Carroll had sprinkled throughout the books. Fourteen of them made the cut, making "Alice" the most song-filled of all Disney animated musicals.
5. Sammy Fain's title song became a jazz hit for Dave Brubeck. A discarded tune, called "Beyond the Laughing Sky," was re-written to become "The Second Star to the Right," the opening number in Disney's 1953 version of "Peter Pan."

6. Popular comic actor Ed Wynn was hired to voice the Mad Hatter, becoming the first major celebrity to voice a role in a Disney animated feature. Later, he'd play live-action roles in several Disney movies, most memorably, "Babes in Toyland" (as the Toymaker) and "Mary Poppins" (as giggly, levitating Uncle Albert).Marc Davis and Kathryn BeaumontAlice in Wonderland Publicity Photoc. Oct. 19507. Others in the cast had less familiar names, though Disney fans would recognize their voices as they recurred in other Disney projects. Kathryn Beaumont (above), the 12-year-old who voiced Alice (and who acted out her entire performance on film for the Disney animators to study), went on to star as Wendy in "Peter Pan." Bill Thompson, who played the White Rabbit, would later voice pirate sidekick Smee in "Peter Pan," Jock the terrier (and four other characters) in "Lady and the Tramp," and Scrooge McDuck in various shorts. J. Pat O'Malley, who voiced Tweedledee and Tweedledum and all the other characters in the "Walrus and the Carpenter" sequence, later played elephant Col. Hathi and vulture Buzzie in ''The Jungle Book."

Verna Felton, who had played the Fairy Godmother in "Cinderella" before voicing the Queen of Hearts in "Alice," would later play Aunt Sarah in "Lady and the Tramp," Flora and Queen Leah in "Sleeping Beauty," and Winifred the elephant in "Jungle Book." And Sterling Holloway, who played the Cheshire Cat, would play python Kaa in "Jungle Book," though he was most famous for playing Winnie the Pooh in several shorts.

8. In the film's opening credits, Lewis Carroll's name is misspelled "Carrol."
9. "Alice" cost $3 million to make, during a production that spanned five years, three directors, 13 credited writers, 750 artists, 800 gallons of paint,1,000 watercolor hues, and 350,000 drawings and paintings. It earned back just $2.4 million.

10. Animator Ward Kimball blamed the movie's failure on all the competing creators -- "too many cooks," as he put it. Walt complained that the movie's heroine lacked "warmth."

11. "Alice" earned just one Academy Award nomination, for the instrumental score by Oliver Wallace.
12. In the 1960s, "Alice" (like "Fantasia") earned a reappraisal from college-aged audiences who appreciated its trippy nature, especially if they watched it under the influence. Walt didn't want to market and re-release his experimental, colorful early features as "head" films, but after his death in 1966, that's what happened. Advertised with psychedelic poster art, "Alice" was re-released in 1974 and 1981, with much greater success. In contemporary dollars, "Alice" earned $322 million over its lifetime.

13. Besides the 2010 Tim Burton film and its 2016 sequel, Disney's "Alice" spinoffs include a stage musical, several video games, and the spinning tea cup ride at all the Disney theme parks. In the early 2000s, half a century after the film's release, Beaumont reprised the voice role of Alice for the Disney TV series "House of Mouse."

Which 'Harry Potter' Character Are You? [QUIZ]

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harry potter character quizAs "Harry Potter" fans, we've all imagined what it would be like to attend Hogwarts, battle Voldemort, or venture down Diagon Alley. But have you ever imagined yourself as one of the characters in J.K. Rowling's beloved books? Take the quiz below to determine which witch (or wizard) you're most like in the Harry Potter universe.

16 Things You Never Knew About 'Howard the Duck'

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Sure, Marvel rules the cinematic universe now, but the first attempt to bring a Marvel Comics character to the big screen was anything but a smash. In fact, "Howard the Duck" (released 30 years ago this week, on August 1, 1986) was a legendary flop.

Even though it came from the creative team behind then-recent hit "Indiana Jones and the Temple of Doom," and brought to life the existential, wisecracking, feathery anti-hero of Steve Gerber's cult-fave comic, "Howard" proved too creepy and weird for family audiences. And not edgy enough for fans of the book. It also proved for the first time that producer George Lucas was fallible.

In recent years, though, interest in "Howard" has revived, thanks to a cult of fans who insist that the movie is underappreciated and to the Marvel hit "Guardians of the Galaxy," which featured a surprise post-credits cameo by Howard. Here is the low-down behind the downy, cigar-chomping alien's big-screen debut.
1. Lucas had dreamed of making a movie about Marvel's intergalactic duck ever since his days working on "American Graffiti" in the early 1970s. Of course, his next movie was a different interstellar tale, but after the successes of the "Star Wars" and "Indiana Jones" movies, he was in a position to do whatever he wanted in Hollywood. That meant finally getting to produce "Howard the Duck," with his "Graffiti" and "Temple of Doom" screenwriters Willard Huyck and Gloria Katz adapting the comic and Huyck directing.

2. Lucas wanted Howard to be the first all-CGI lead character, but computer-animation technology wasn't advanced enough yet. Nonetheless, Howard was a technical milestone: the first totally wireless puppet lead character, operated by both radio controls and by an actor inside the duck suit.
3. The puppet's brain -- the unit that made his eyes and facial muscles move and his bill open and close -- was actually underneath Howard's tail feathers. It took many months to design Howard, in no small part because the filmmakers had to have several meetings with Disney lawyers to make sure Howard didn't resemble Donald Duck too closely.

4. There were several dwarf actors hired to wear the duck suit, including 12-year-old Jordan Prentice, who blanched at some of the more adult behavior Howard had to indulge in, and Ed Gale, then 22, who would go on to play killer doll Chucky in "Child's Play" and two of its sequels. But Howard's dialogue wasn't dubbed in until after the shoot, making the character difficult for the rest of the cast to interact with.
5. Several top comedian's were considered to provide Howard's voice, including Robin Williams, Jay Leno, and Martin Short, along with such actors as John Cusack and Jason Alexander (who'd later voice a Howard-like character as the star of the TV series "Duckman").

6. But the filmmakers ultimately decided to go with an unknown, someone not famous enough to shatter the illusion that Howard was a real and unique creature. So they went with Broadway actor Chip Zien.
7. To play rock singer Beverly, the filmmakers auditioned many actresses, including actual rock singer Cyndi Lauper, before going with the newly-popular Lea Thompson, hot off the success of "Back to the Future". Though untrained in music, she learned how to play the guitar and did her own singing on the four songs composed for her band, written by such actual hitmakers as Thomas Dolby and George Clinton.

8. Also, that was her real hair -- the spiky coif that took two hours of teasing every day to achieve. For all of the production's lavish spending, the filmmakers declined Thompson's request to spring for a wig.9. The love scene (above) involving Howard and Beverly is probably what creeped out viewers the most -- Prentice, too (and his guardian), which is why Gale performed the scene. But Thompson thought it was no big deal.

"I had just done a love scene with my son in 'Back to the Future,' and nobody seemed to be too upset about that," she said. Of the "Howard" tryst, she said, "I thought it was hilarious. That's my sense of humor."

10. "Ferris Bueller's Day Off" co-star Jeffrey Jones, who played the villain (below), started buying up back issues of "Howard" comic books during the shoot, hoping that they'd become valuable once the movie became a hit.
11. Though Universal wanted a family audience, its marketing campaign for "Howard" suggested otherwise. A promotional deal with Budweiser featured the duck in magazine ads that claimed Bud was the beer-chugging bird's favorite brew. There was also a 1-900 number you could call and be insulted by Zien (as Howard) for $1.99 a minute.

12. The movie's budget has been estimated to be between $36 and $38 million, a princely sum for a film in 1986. It made back just $16.3 million in America and another $21.7 million overseas. "Howard's" belly flop was widely blamed for forcing the resignation of Universal production chief Frank Price a month after the film's release.

13. It was Marvel's first theatrical release since a 1940s Captain America serial. Marvel wouldn't have another big movie hit theaters for another 12 years, when "Blade" was released. 14. The movie's cult fanbase and the surprise cameo by Howard (above) at the end of 2014's "Guardians of the Galaxy" -- along with the CGI that made "Guardians"' Howard-like Rocket Raccoon a believable character -- made a lot of fans think a new "Howard" movie was imminent. Alas, according to Seth Green, who voiced the new "Howard," the in-joke was just a one-shot.

15. Howard's ties to Star-Lord and gang don't stop there. "Howard the Duck" was released exactly 28 years (to the day) before "Guardians" was released on August 1, 2014.
16. One last fact -- which might make you go all brainsplode. One good thing that came out of this flop? The creation of Pixar. See? Mind. Blown.

Because Lucas was disappointed with the then-limitations of CG proving unable to execute his ideal vision for the character, on top of facing pressures to bring cash into Lucasfilm, he turned to sell the Graphix Group -- a computer graphics division within his company. Steve Jobs, having just lost his position at Apple, purchased the Group and helped turn it into the future home of "Toy Story."

17 Things You Never Knew About 'The Princess Diaries'

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Fifteen years ago, Anne Hathaway made her film debut in "The Princess Diaries" as geeky teen Mia Thermopolis, who learns she's really a princess of a country called Genovia.

Cue fabulous makeover, happy ending and a sequel. Director Garry Marshall, costar Julie Andrews and Hathaway were just talking about reuniting for a third "Princess Diaries" film before Marshall's untimely death on July 19.

Here are some things you might not know about the 2001 comedy, which opened on August 3, 2001.1. Hathaway landed the part of Mia partly because Garry Marshall's granddaughters saw her audition tape and said she had the best "princess hair."

2. Among the actresses who reportedly turned down the role of Mia: Drew Barrymore, Reese Witherspoon, and Kate Hudson.3. Hathaway only had one audition for the film. As she told Access Hollywood in 2001, "I was on my way to New Zealand for an independent movie and I had a 26-hour stopover in Los Angeles. I asked, 'Can I do some auditions? What about 'The Princess of Tribeca' -- which is what this was called then." She met with Marshall and "got really nervous and, at some point, fell out of my chair... I think that's what impressed him the most." Disney wanted her to do a screen test, but she couldn't because of her trip to New Zealand. Luckily, her audition tape was good enough to get her the job.

4. Hathaway's klutziness that landed her the part also made for a memorable scene in the movie: Her trip over the bleachers wasn't scripted, but Marshall loved it and kept it in.5. Mia's cat Fat Louie? Hathaway's real-life pet (above). It had to be doubled by three different cats, one that could be carried, one that would sit perfectly still, one who could jump, and the last one who sits on the envelope at the end of the movie.

6. That was also the actress's real dental retainer! Marshall added it to the script when he learned she used to wear one. She managed to find it and brought it to set.
7. "The Princess Diaries" is the only major role for musician Robert Schwartzman, who prefers to focus on his band, Rooney. (They make a small appearance in the film.) Film definitely runs in his family: He's the son of actress Talia Shire, his brother is "Rushmore" star Jason Schwartzman, and his cousin is Sofia Coppola. He had a small role in her film, "The Virgin Suicides."

8. During post-production, Schwartzman reportedly wanted to change his name to Robert Cage in honor of his cousin, Nicolas Cage (who was born Nicolas Coppola). But the promo material had already been finalized, so he kept his real name.9. Hathaway's bushy hairpiece was so unruly, it was nicknamed "The beast." And her out-of-control fake eyebrows took an hour to apply since each hair had to be individually applied.

10. Marshall loves to use the same actors over and over: Hector Elizondo is in all of his films. He also loves to repeat a gag. In the scene where Mia drops a grape at the dinner table and sets off a comical chain of accidents, the waiter says, "It happens all the time." The same actor delivered the same line in "Pretty Woman" (1990) when Julia Roberts accidentally sends a snail flying while trying to eat escargots. (Slippery little suckers.)
11. "The Princess Diaries" was a family affair: The girls seeking Mia's autograph are Lilly and Charlotte, Marshall's twin granddaughters. And Clarisse's secretary Charlotte, is played by Kathleen, his daughter.

12. Marshall cameos as a guest at Genovia's annual independence ball, as does sister Penny Marshall.
13. The romance between Queen Clarisse Renaldi (Julie Andrews) and Joseph (Hector Elizondo) wasn't in the script, and the two actors improvised their dance scene.

14. Meg Cabot, who wrote "The Princess Diaries" book series, had no input on the film. As she wrote on her site, "People always ask me if I 'helped' with the 'Princess Diaries' movie. I really didn't. I don't think Garry Marshall needs 'help' to make a movie... especially 'help' from a novelist who has absolutely no experience in film-making! And good thing I didn't help with the first movie, because it did just fine without me."15. Hathaway told HuffPost Live that "Princess Diaries" was "a great first job," but she struggled to land more serious acting gigs afterwards. "It was hard get into rooms, to be taken seriously for roles that weren't princesses."

16. Hathaway did not get to keep the tiara she wears in the movie, but Disney did send another one home with her.17. Whitney Houston, who produced the film, surprised Gary Marshall on set with a giant cake and sang "Happy Birthday" to him.

12 Things You Never Knew About 'Stand by Me'

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What kind of movie is "Stand by Me"? Depends on your age.

If you're a kid, it's a bit of an adventure movie. If you're a Boomer, it's a nostalgia piece about growing up in the 1950s. And if you're a Gen Xer, it's a different kind of nostalgia piece, about learning to love the movies of the 1980s (the film was released 30 years ago on August 8, 1986), recognizing that director Rob Reiner had more to offer than comedy (and author Stephen King more than horror. No wonder Netflix's new '80s throwback series "Stranger Things" is full of "Stand by Me" shout-outs.

Still, no matter how old you are or how many times you've seen the movie, there's plenty you may not know about the story behind the production, which is often as funny and haunting as the tale told on screen. Pop open some cherry Pez and read on.
1. You might not think of Adrian Lyne (of "Flashdance" and "Fatal Attraction" fame) as the director best suited to Stephen King's tale of innocent boyhood, but he was the first filmmaker attached to the project. Fortunately, he was too busy making "9 1/2 Weeks," so the gig went to Reiner (above, left), then fresh off "This Is Spinal Tap" and "The Sure Thing."
2. Reiner's auditions for the four leads yielded boys whose personalities matched their roles. "I was awkward and nerdy and shy and uncomfortable in my own skin and really, really sensitive," Wheaton recalled in 2011, "and River was cool and really smart and passionate and -- even at that age -- kind of like a father figure to some of us. Jerry was one of the funniest people I had ever seen in my life, either before or since, and Corey was unbelievably angry and in an incredible amount of pain and had an absolutely terrible relationship with his parents."
3. As the narrator, the adult version of Wheaton's character, Reiner cast actor David Dukes. But he felt Dukes' performance was off, so he tried "Spinal Tap" star Michael McKean. He didn't work either, so Reiner cast his own high school pal Richard Dreyfuss.
4. The independent studio behind the film was Embassy, owned by Reiner's "All in the Family" mentor, Norman Lear. But when Lear sold Embassy to Coca-Cola, the new management decided the movie wasn't commercial enough. So it pulled its financing just two days before the shoot was scheduled to begin. Fortunately, Reiner got Lear to pony up the full $8 million budget out of pocket.
5. The boys were never really in danger during the famous train-dodge scene. Part of the scene involved stunt doubles -- women with close-cropped hair made up to look like the boys. And part of it involved an extra-long telephoto lens to make it look like the train was right behind the boys when, actually, it was still on the far side of the bridge.
6. The swamp used in the leech scene was man-made, a pond dug out and filled with water by the production crew before the shoot. By the time Reiner was ready to film the scene, it was already overgrown with moss. The leeches were real.
7. The four young stars got into plenty of misbehavior during their down time. Wheaton rigged the coin-operated arcade games at their hotel so that they could be played for free. Reiner says Phoenix (then 15) lost his virginity to a Phoenix family friend during a night away from the hotel. Feldman says he and Phoenix both smoked pot.
8. And Kiefer Sutherland, who played bully Ace, claims that O'Donnell tied his babysitter to a bannister, escaped to a Renaissance festival, and ate some cookies that he didn't realize we're laced with pot. The others found him in a parking lot, woozy and crying.
9. The movie was originally titled "The Body," after the Stephen King story it was based on. The film's marketers worried that it sounded like a horror movie, a bodybuilding film, or a porno. Reiner came up with the title "Stand by Me" based on the Ben E. King standard that he'd picked to play out over the end of the film.
10. Lear's $8 million investment turned out to be a smart move. "Stand By Me" earned back $52 million at the box office.
11. The movie's Maine countryside scenes were actually filmed in and around Brownsville, Oregon, where there is now a tourist center devoted to the film. Reiner named his production company Castle Rock after the movie's fictional town.
12. The "Stand by Me" screenplay was written by Raynold Gideon and Bruce A. Evans, who'd written the sci-fi romance "Starman." They earned an Academy Award nomination for Best Adapted Screenplay, the only Oscar nod "Stand by Me" received. They also earned a compliment from Stephen King, who said it was the first filmed version of one of his stories that got it right.

21 Things You Never Knew About 'Transformers: The Movie'

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The best "Transformers" movie is still the first one.

No, not Michael Bay's excessive ode to explosions and plot holes. We're talking "Transformers: The Movie," released this week 30 years ago (time to feel old, everyone!).

Optimus Prime took his fight against the Decepticons to the big screen for the first time in the summer of '86, resulting in new toys kids forced their parents to buy. It also spawned legions of fans worshipping this animated favorite that introduced us to the sweet, sweet stadium rock that is Stan Bush's "The Touch."

In honor of this nostalgia-soaked, feature-length toy commercial celebrating its 30th anniversary, here are some facts straight from Autobot City (reference!) that you need to know.1. For an animated movie aimed at kids, "Transformers" has a crazy-high body count. This is because Hasbro wanted to clean house and introduce a new toy line to coincide with the launch of Season Three. (The movie served as a bridge between the second and third seasons.)

2. Early drafts of the script featured even more deaths. The biggest on-screen RIP that still rocks kids' souls? Optimus Prime. The Autobot leader was killed battling his nemesis, Megatron, and that sparked a backlash among fans -- one so loud that it influenced changes in Hasbro's other big animated movie being made, "G.I. Joe: The Movie." The Joes' first big-screen outing featured the death of their leader, Duke, but Hasbro forced the filmmakers to change Duke's fate, instead having him enter a coma after getting a snake spear to the heart. Because the '80s.
3. The debate over whether or not to kill Prime caused "steaming arguments" among the filmmakers, according to screenwriter Ron Friedman -- who was violently against killing this "father figure" and "icon."

"To remove Optimus Prime, to physically remove Daddy from the family, that wasn't going to work," Friedman said. "I told Hasbro and their lieutenants they would have to bring him back but they said 'no' and had 'great things planned.' In other words they were going to create new more expensive toys." Those lieutenants belonged to Hasbro's ad agency, who graduated to having great power overseeing the production of various projects. So blame the suits for your childhood trauma!

4. There was an alternate script at one point for the movie, entitled "The Secret of Cybertron," written by "Transformers" story editor and writer Flint Dille, that very few people have seen. 5. Two things that writer Friedman had to fight to get into the movie: Arcee (above), the first female Autobot, and having the Transformers interact with humans Spike and his son, Daniel.

6. The only rewrite that Friedman object to was including the word "sh**." But the powers-at-be insisted it be added so the movie could secure a PG rating instead of a G, as films rated with the latter didn't play as often in theaters.
7. The Autobots' Matrix of leadership, the shiny thing Prime passes on to rookie Hot Rod (pictured), was inspired (naturally) by the Petrean Touch in Catholicism.

8. "Transformers: The Movie" was Orson Welles' last film. He voiced the transforming, planet-sized threat, Unicron. How did the production secure the Hollywood legend? "He was available," said Friedman. "He was looking for work all the time. He would've opened a supermarket. He was eminently available."9. Welles' is rumored to have died five days after completing his final voice session for the film. Due to the actor's breathing difficulties, his voice heavily synthesized.

10. An early version of the story featured the Decepticons taking over Autobot City on Earth, with Blaster leading a group of guerilla-like fighters to retake the city. According to Friedman, it was cut simply because the suits wanted to cut it in an attempt to exert some creative control.
11. Leonard Nimoy provided the voice for new villain Galvatron (above). The late actor would return to the world of Transformers, this time voicing Sentinel Prime in 2011's "Transformers: Dark of the Moon."

12. Friedman's favorite characters to write for? Autobot veteran Kup, Starscream and, of course, Optimus Prime.
13. Friedman's least favorite? "Wheelie was a pain in the ass."

14. Marvel published an adaptation of the movie. The three-part comic was based on an early version of the script, and as a result the comics featured an different design of the Matrix and a different death for Autobot Ultra Magnus. 15. The movie's most iconic song is Stan Bush's "The Touch," which -- you might wanna sit down -- was originally created by Bush and 'co-writer Lenny Macaluso for Sylvester Stallone's "Cobra" in 1986.

16. Like the soundtrack's other memorable songs, like "Nothing's Gonna Stand In Our Way" and "Hunger?" They're from the band, Kick Axe, who appeared listed on the soundtrack as Spectre General because the powers-at-be thought the band's real name sounded, um, too threatening. Worse? The band wasn't even notified about the change.
17. For the film's 20th anniversary in 2006, IDW published its own adaptation. It includes extra scenes, such as a battle between the missing combiners and Omega Supreme at the Ark, as well as Shockwave and Reflector being destroyed by Unicron.

18. Whenever Megatron would transform into gun mode during the first two seasons of the animated series, his first shot would always miss the target. Because reasons. In the movie, when Starscream uses his leader to execute Brawn, this marks the first time the Decepticon leader's first shot hit the target.
19. The movie takes place 20 years after the events of the series' Season 2.

20. Unicron's original name? Ingestor. He would have been a mysterious being in control of Unicron's planet form. The filmmakers combined the two into a single character, with the planet still transforming into a human-like figure.
21. Unicorn in robot form originally featured more organic features. He would have rocked some serious '80s long hair in addition to a goatee and mustache. (Please let it have been a mullet!)


How Did These 'Grey's Anatomy' Characters Die? [QUIZ]

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grey's anatomy death quizWhy, "Grey's Anatomy"? Why?!!!

Sure, you can rely on Shonda Rhimes's blessed hospital drama to deliver the feels on a weekly basis, but nothing turns on the waterworks like one of show's signature deaths. While some are sadder than others, one thing's for sure: You never see them coming.

How well do you remember "Grey's Anatomy's" most shocking, unexpected, or just plain sad deaths? Match all of these "Grey's" characters to how they died and find out.

13 Things You Never Knew About 'Manhunter,' the First Hannibal Lecter Movie

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Michael Mann's "Manhunter" has been such a vastly influential crime thriller that you'd hardly know it was a massive flop in theaters. Released 30 years ago this week, on August 15, 1986,
"Manhunter" cost $15 million to make but returned only $8.6 million at the box office.

Nonetheless, it would earn recognition over the years as the first movie to be made from one of Thomas Harris' Hannibal Lecter novels, so we have it to thank for such films as "The Silence of the Lambs," "Hannibal," and "Red Dragon" (the 2002 remake of "Manhunter"), as well as the NBC series "Hannibal." Plus, it was the first major appearance in pop culture of a new type of crime fighter, the criminal profiler who uses forensics and psychology to hunt down killers, an innovation that led to such TV dramas as "The X-Files," "Profiler," "Criminal Minds," and the "CSI" franchise, whose flagship series took its leading man, William Petersen, from "Manhunter."

Read on for killer behind-the-scenes details of the making of this seminal cult favorite.1. Producer Dino De Laurentiis was behind this adaptation of Harris's novel "Red Dragon," but having recently released the Michael Cimino flop "Year of the Dragon," he wanted a different title. He also didn't want viewers thinking it was a martial arts film. So he changed the title to "Manhunter," over the objections of director Mann and co-star Brian Cox (pictured).

2. For the lead role of FBI profiler Will Graham, the filmmakers considered Nick Nolte, Richard Gere, Mel Gibson, and Paul Newman. Mann ultimately went with Petersen (below), after seeing him play a relentless sleuth in 1985's "To Live and Die in L.A."3. For the part of Hannibal Lecktor (yep, that's how it was spelled in the script), the producers thought of John Lithgow, Mandy Patinkin, and Brian Dennehy. It was Dennehy, however, who recommended Cox.

4. Tom Noonan, who won the role of serial killer Francis "The Tooth Fairy" Dolarhyde, made a point of not meeting any of the other actors until his scenes with them; that way, he could get into the mindset of a solipsistic stalker isolated in his own fantasy world.
5. Noonan ultimately decided not to research any real-life serial killers to prepare for his role, but others on the set did. To learn how investigators cope with the disturbing details of such cases, Petersen consulted with the FBI Behavioral Science Unit and Chicago Police detective Charles Adamson -- the co-creator of Mann's "Crime Story" TV series and the inspiration for Al Pacino's character in Mann's later classic "Heat." The star also talked with California investigators on the then-fresh Richard Ramirez "Night Stalker" case.

6. Scottish-born Cox took inspiration from Scottish serial killer Peter Manuel. Mann, who had corresponded for years with jailed killer Dennis Wayne Wallace, learned from the convict that he had been obsessed with a woman he barely knew and considered Iron Butterfly's "In-A-Gadda-Da-Vida" to be their song, which is how Mann picked the sinister-sounding track for the movie's climax.

7. To play Reba McClane, Dolarhyde's blind love interest, Joan Allen (pictured) did research at the New York Institute for the Blind and practiced by walking blindfolded around New York City.
8. Petersen claims the scene of Graham falling asleep on a plane while examining crime scene photos had to be shot guerrilla-filmmaking style, as United Airlines had declined to give the production permission to shoot on a commercial jetliner. Mann bought coach tickets anyway on a 4 p.m. United flight from Chicago to Florida, so that there would be a sunset visible from the right side of the plane, and the crew packed their cameras and lights in their carry-on bags. (This was in the days before 9/11 and omnipresent metal detectors at airports.) They filmed the scene on the fly -- literally -- and compensated the passengers and the startled and upset flight crew for the nuisance by giving away "Miami Vice" crew jackets.

9. Scheduling on the production was so tight that the special effects crew had already left the shoot when it came time to film the climactic gunfight in Dolarhyde's kitchen, so Mann and the rest of the crew had to improvise the FX. They'd blow ketchup through hoses to simulate blood spatter. Allen has said Petersen caught a shard of glass in his thigh from a jar tossed to shatter as if hit by bullets, but a source close to the filmmakers insists no jars were tossed.

10. Noonan spent so much time lying in a pool of fake blood, made from dyed corn syrup, that he got stuck to the floor.11. Like the real-life profilers Petersen had met, he couldn't shake the job at the end of the day. After "Manhunter," he went on to do a play in Chicago but kept feeling the Will Graham character coming out in his performance. He finally shaved his beard, cut his hair, and dyed it blond so he'd see a different face when he looked in the mirror.

12. At the time Cox was making "Manhunter," he shared an agent with Anthony Hopkins, who was then busy starring in "King Lear" at England's National Theatre. Five years later, when Jonathan Demme cast Hopkins as Hannibal Lecter in "Silence of the Lambs," Cox was playing Lear at the National Theatre.
13. Mann hired cinematographer Dante Spinotti for "Manhunter" on De Laurentiis's recommendation and ended up working with him on five movies. Spinotti was also the cinematographer for Brett Ratner's "Red Dragon" remake in 2002.

UPDATE: This article has been updated to include new information from a source close to the filmmakers.

18 Things You Never Knew About 'The Fly'

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"Be afraid. Be very afraid." And we have been, for three decades, ever since the release of "The Fly."

Upon its release 30 years ago this week (on August 15, 1986), the remake of the 1958 Vincent Price horror film was recognized instantly as a modern classic, made stars out of Jeff Goldblum and Geena Davis, and became the biggest hit of arty-horror film director David Cronenberg's career.

Still, there's much about the production's larval stage you may not know, from the invaluable assistance provided by a beloved comedian to the fate of co-star John Getz's severed foot.
1. Comedy legend Mel Brooks is largely responsible for shepherding "The Fly" into production, through his arty Brooksfilms company, the studio behind David Lynch's "The Elephant Man." The "Blazing Saddles" filmmaker deliberately kept a low profile on such projects so that no one would expect them to be funny.

2. The producers wanted "Dead Zone" director Cronenberg for "The Fly." Having studied to become an entomologist in college, Cronenberg was interested, but he was busy developing "Total Recall." So Brooks hired a relatively untried British director, Robert Bierman.

3. But then, during a vacation in South Africa, Bierman's daughter was killed in an accident. After he dropped out of "The Fly," the producers learned that Cronenberg was no longer working on "Total Recall" and was now available. Bierman would go on to make his name directing Nicolas Cage cult favorite "Vampire's Kiss," while "Total Recall" finally ended up in the hands of "Robocop" director Paul Verhoeven.4. Best known at the time for playing quirky characters like the People magazine reporter in "The Big Chill," Jeff Goldblum was few people's idea of a leading man. But Cronenberg liked him for the role of the eccentric scientist, especially since he was one of the few actors who didn't mind having to hide under layers of latex as the character's insect transformation became more extreme. Brooks backed the director's choice, over the objection of 20th Century Fox.

5. Rehearsing for his "Fly" auditions, Goldblum ran lines with Geena Davis, his co-star in "Transylvania 6-5000," who was at the time his girlfriend. The still largely unknown Davis lobbied Cronenberg for the "Fly" love interest role, and he finally agreed, despite his reluctance to hire a real-life couple. 6. Indeed, Davis had started unconsciously to mimic Goldblum's movements and his distinctive, stop-start speech pattern, and Cronenberg had to coach the imitation out of her performance. Goldblum also had to avoid Davis when she shot scenes with John Getz (who played his romantic rival, Stathis) because of his real-life jealousy.
7. The name of Goldblum's character, Seth Brundle, was inspired by Formula One driver Martin Brundle. A fan of motor sports, Cronenberg often names his characters after racing-world figures. Paradoxically, Seth Brundle hates driving because he's prone to motion sickness, which is what prompts him to invent the teleportation pods in the first place.8. At the time of the production, Cronenberg also owned a vintage Ducati motorcycle, whose cylinders were the design inspiration for the telepods.

9. Cronenberg seldom cameos in his own movies, but Davis insisted that, during Veronica's horrific dream sequence, Cronenberg should play the gynecologist. She didn't feel comfortable with any other actor in that position, while her legs were in the stirrups.
10. The sequence where Seth crawls on the ceiling (above) was accomplished via a set mounted on a Ferris wheel-like device. The set would rotate (with the camera fixed in place) so that Goldblum could appear to defy gravity.

11. Several sequences ended up on the cutting-room floor, including four endings involving variations on Veronica having another dream about giving birth to an insect baby. (As with "Dead Zone," Cronenberg discovered that nothing worked as a coda to the hero's violent demise and so just ended the film there instead.) Most notorious was the "monkey-cat" sequence, where the telepods transform Seth's baboon and an alley cat into a hideous hybrid that Seth kills by clubbing it with a lead pipe, an action that made the character lose all sympathy from test audiences. (It didn't help that the next scene saw Seth growing a strange appendage and chewing it off with his teeth.) Viewers finally got to see the "monkey-cat" sequence two decades later when it appeared on the DVD.
12. After Getz shot the climactic scene where the fully-transformed Brundle severs Stathis's foot by vomiting digestive enzymes on it, Getz kept the prop foot in his refrigerator.13. The line "Be afraid. Be very afraid," which became the movie's most famous bit of dialogue, was thought up by Brooks. It was also used on the posters and marketing for the film (above). 14. It took Goldblum up to five hours a day to bury himself under the prosthetics that transformed him into a man-sized insect, but it was worth the effort. Chris Walas and Stephan Dupuis won the Oscar for Best Makeup, the only Academy Award earned to date by a Cronenberg film.

15. "The Fly" cost $9 million to make. It earned back $60.6 million worldwide. It was Cronenberg's top grossing film until "A History of Violence" earned $60.7 million in 2005. Adjusted for inflation, "The Fly" is still the biggest hit of Cronenberg's career.
16. Walas also directed the 1989 sequel "The Fly II," made without the participation of Cronenberg, Goldblum, or Davis.

17. Cronenberg, along with "Fly" composer Howard Shore, did turn the '86 film into a stage opera in 2008. The following year, the director said he had an idea for a big-screen reboot, but the project never came to fruition.
18. By the way, the science of the movie, from teleportation to genetics, is largely bogus except for the part about flies vomiting enzymes onto their food in order to digest it.

25 Things You Never Knew About the Original 'Ben-Hur'

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The new "Ben-Hur" (opening August 19) has mighty big sandals to fill. After all, the beloved 1959 version starring Charlton Heston as the title character was one of the most lavish epics in movie history. Not only was the 3-hour, 32-minute film the most expensive movie made up to that time, but it also won a record 11 Academy Awards. Plus, it contained that 11-minute chariot race, perhaps the most celebrated action sequence of all time.

Before you see the new version, here are the behind-the-scenes details of this epic classic.
1. MGM first announced it was planning a remake of the 1925 silent classic "Ben-Hur" (based, in turn, on Lew Wallace's best-selling 1880 novel) in late 1952. Over the next few years, the studio continued to float possible versions of the project, with such leading men as Stewart Granger, Robert Taylor, and Marlon Brando supposedly attached to star. But development didn't kick into gear until 1956, when Paramount's "The Ten Commandments" proved the profitability of a massive Biblical epic.

2. Pre-production began at Rome's fabled Cinecittà Studios in October 1957. The cameras finally began rolling in May 1958. The shoot took nine months, with another six months of post-production. The movie finally premiered on November 18, 1959, almost seven years after it was first announced.
3. At first, director William Wyler (pictured, far right) turned down "Ben-Hur" because he didn't think much of the script, but he ultimately decided that the story was interesting enough, and the Biblical epic genre offered him a chance to one-up "Ten Commandments" director Cecil B. DeMille. (Apparently, the two Hollywood titans hated each other.) Plus, MGM offered him the biggest payday a Hollywood director had ever earned up to that time: $350,000 plus 8 percent of the gross or 3 percent of the net profits, whichever was greater.

4. Despite Wyler's rivalry with DeMille, "Ten Commandments" leading man Charlton Heston was not on the director's short list to star as Judah Ben-Hur. But Burt Lancaster turned the part down because he found the script dull and disparaging toward Christianity. Paul Newman, still smarting over his inauspicious debut in 1954 Biblical epic "The Silver Chalice," claimed he didn't have the legs for the Roman costumes. The filmmakers considered Brando, Rock Hudson, Leslie Nielsen (known back then as a stolid leading man, not a slapstick comedian), Kirk Douglas, and even some Italian actors who didn't speak English before settling on Heston. To star in "Ben-Hur," the former Moses landed a fee of $250,000 for 30 weeks, plus a prorated wage if the shoot ran longer, and travel expenses for his family.
5. Actually, Wyler had been thinking of Heston to play the villain Messala. But when he moved into the lead, and Kirk Douglas and Stewart Granger turned down the role of Judah's Roman friend-turned-rival, it fell to Irish actor Stephen Boyd, then all-but-unknown in Hollywood. Since both stars had blue eyes, Wyler had Boyd wear brown contact lenses for the sake of contrast.

6. All told, there were 365 speaking parts in "Ben-Hur." Only four went to Hollywood actors: Heston, Martha Scott (who'd played his mother in "Ten Commandments" and did so again here), Cathy O'Donnell (Wyler's sister-in-law, cast as Judah's sister), and Sam Jaffe (as Ben-Hur family slave Simonides).
7. Out of reverence, the face of Jesus Christ is never shown on screen during "Ben-Hur," and the actor playing him is not credited in the film. It was opera singer Claude Heater, an American tenor the filmmakers had discovered during a concert in Rome.

8. Gore Vidal, one of several high-profile script doctors who revised Karl Tunberg's screenplay, claimed he'd inserted a homoerotic subtext into the friendship between Judah and Messala, and that Messala's motivation when he turns against Judah is that of a spurned lover. Vidal claimed he broached the idea to Wyler, who thought about it a while and then agreed but told Vidal not to mention it to Heston because "Chuck will fall apart."9. In his memoir, Heston disputed Vidal's claims and dismissed his contributions to the script. (Vidal's response to Heston's denial was, more or less, "He would, wouldn't he?") Scholars continue to argue over the claims, but watch Boyd and Heston's scenes together and decide for yourself.

10. The production design included 1 million props, 100,000 costumes, and 300 sets that were built out of 1 million pounds of plaster and 40,000 cubic feet of lumber. Throughout the shoot, the sets became a tourist attraction, drawing some 25,000 visitors, including such celebrity guests as Kirk Douglas, Harry Belafonte, Jack Palance, Susan Hayward, and Audrey Hepburn.
11. For the movie's centerpiece sequence, the chariot race, the producers built what was then the biggest movie set ever constructed. The arena, an accurate duplicate of an actual Roman stadium outside Jerusalem, was five stories tall and big enough to enclose a track 2000 feet long and 65 feet wide. There were actually two such tracks, one built outside of camera range for the horses and riders to train and rehearse. For the track surface, some 40,000 tons of white sand were imported from Mexico. The arena cost $1 million to build and spanned 18 acres on the Cinecittà lot.

12. Some 10,000 extras appeared in "Ben-Hur," including 1,500 on any day that the chariot sequence needed a crowd in the stadium grandstands. For the race, 78 horses were imported from Yugoslavia and Sicily.
13. Heston and Boyd spent weeks training to steer the four-horse chariot teams; in most of the shots, that's really the two stars at the reins. In the Roman summer heat, the horses could complete only about eight laps per day, and the sequence took five weeks to shoot over the course of three months.

14. Wyler left oversight of the chariot race sequence to second unit director Andrew Marton and legendary stuntman Yakima Canutt. (An assistant director on the sequence was future spaghetti-western maestro Sergio Leone.) Joe Canutt, the stunt coordinator's son, was Heston's double. During a notorious, heart-stopping moment, Joe was thrown forward out of the chariot, onto its lip. Yakima was certain that his son had been killed, but Joe managed to climb back into the chariot and retake the reins, suffering only a deep cut on his chin. The footage remains in the completed film. 15. Boyd wore a steel-lined costume for the close-ups of the scene where Messala gets dragged by the chariot, but the scenes where he and other riders get trampled were all filmed using realistic dummies. Claims that a stunt man was fatally run over, or that you can see that death on screen, are urban myths.

16. The 1925 "Ben-Hur" shoot had cost the lives of one stunt man and five horses. There were no serious injuries to people or animals on the 1959 film, but there was one casualty: executive producer Sam Zimbalist, who died in Rome of a heart attack during the shoot. He was 54.
17. During the shoot, Boyd married Italian-born studio executive Mariella Di Sarzana. But they separated after three weeks and divorced in early 1959.

18. Miklós Rózsa composed 110 minutes of music for the film, making it the longest movie score ever composed.
19. Initially budgeted at $7 million, the film's cost ballooned during the shoot to a record $15 million. That figure included about $1.1 million worth of 70mm film stock, an extra $100,000 for Wyler for assuming Zimbalist's producer duties after his death, $4 million for the chariot sequence (including $200,000 to replace two wide-screen lenses destroyed during chariot accidents), and $150,000 to dismantle the sets after the shoot ended so that other productions couldn't use them. Plus, MGM spent almost $15 million more to market the film.

20. The filmmakers felt the usual roaring-lion opening that preceded all MGM movies didn't fit the reverent tone of the nativity scene that begins "Ben-Hur." Studio brass agreed and permitted Leo to roar silently for the first time.21. The epic proved an instant hit, grossing an incredible $147 million worldwide during its initial run. At the time, that made it the second-highest grossing film ever, behind only "Gone With the Wind." It was also more than profitable enough to rescue the troubled MGM from looming bankruptcy.

22. "Ben-Hur" generated another $20 million from merchandising, including books, toys, candy, perfume, neckties, jewelry, gowns, chariot-shaped tricycles, and "Ben-Her" and "Ben-His" bathroom towels. Apparently, the reverence that hid Jesus's face and hushed Leo's roar went only so far.
23. "Ben-Hur" won a record 11 Academy Awards, including Best Picture (making Zimbalist the only producer ever to win Oscar's top prize posthumously), Best Director (for Wyler), Best Actor (for Heston), Best Supporting Actor (for Hugh Griffith, who played Sheik Ilderim), Best Color Cinematography, and Best Musical Score.

24. It also won for Color Production Design, Color Costumes, Editing, Sound, and Special Effects. The only trophy "Ben-Hur" was nominated for that it didn't win was Best Adapted Screenplay, perhaps because of the bitter public battle among the film's many writers that ended with Karl Tunberg earning sole credit. No film has ever won more Oscars than "Ben-Hur," though "Titanic" and "The Lord of the Rings: The Return of the King" have tied it.
25. In 1972, Heston used leftover footage from the "Ben-Hur" sea battle sequence in his film version of Shakespeare's "Antony and Cleopatra."

Which 'Stranger Things' Character Are You? [QUIZ]

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stranger things quiz netflixNetflix's "Stranger Things" is nothing short of a nostalgia-fueled phenomenon.

Not only has the show captured the hearts and minds of its '80s-loving viewers, it's turned its young cast into breakout stars. But the real standouts on "Stranger Things" are the show's characters: Barb, Eleven, Mike, Dr. Brenner, Nancy, Steve, and so many more.

Which "Stranger Things" character are you? Take the quiz below to find out.

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